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How to Build a Creative Ecology

Allison Meier

August 22, 2019 |

Reasons to be Cheerful |

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1500-3000 Words

Response Location: United States

Cultivating a sustainable art scene that allows creatives to make a living requires a delicate balance of various factors. Fellowships are vital for providing the time and space that artists need to develop their craft. Cultural institutions such as museums, galleries, and even art fairs are also key for providing a platform through which artists can exhibit their work. Art buyers can also be supported through loan initiatives to spur investment, especially for buyers who support local artists. Lastly, creative placemaking merges art and culture with community planning to meet the specific needs of an area.

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Forget Game of Thrones: The master of the cliffhanger is back

Olivia Cuthbert

June 18, 2019 |

Middle East Eye |

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800-1500 Words

Response Location: Lebanon, Beirut

Building community around storytelling preserves cultural heritage. Across Lebanon, individuals and institutions like the Lebanese Ministry of Culture and the Theatre Monnot in Beirut are working to preserve oral culture as a medium for storytelling. Initiatives, including the long-running International Storytelling Festival and Beirut’s Hakaya, bring together storytellers, known as hakawati and hakawatiye.

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Young Bosnians use art, activism to address past, try to change the country's future

Stephanie Sugars

June 05, 2019 |

Civic Ideas |

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1500-3000 Words

Response Location: Bosnia and Herzegovina, Banja Luka

Bringing people of different ethnic backgrounds together to create art and express themselves helps war-torn societies cope and grow. In Bosnia-Herzegovina, the Most Mira program helps people touched by the horrors of the Bosnian war grapple with issues of memory and identity by engaging in theater. The theater troupe consists of Bosnian and Serbian high school students who participate in a multi-year program.

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This Website Empowers People in Need to Make Art — And Sell It for Thousands of Dollars

Monica Humphries

April 16, 2019 |

NationSwell |

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Under 800 Words

Response Location: United States, Boston, Massachusetts

For individuals who are homeless or otherwise disadvantaged, art can be more than therapeutic—it can be lucrative. ArtLifting, a public benefit corporation started in Boston, MA, specializes in helping homeless and disabled artists sell their art. Business including Staples and Microsoft have bought art for their offices. ArtLifting splits the profits with artists and also funds art programs.

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Thomas, WV: The Town the Arts (Re) Built

Bryce Oates

April 16, 2019 |

The Daily Yonder |

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800-1500 Words

Response Location: United States, Thomas, West Virginia

Renewing distressed economies can be done through reinvesting in arts and culture. By building successful partnerships with rural Community Development Financial Institutions (CDFIs) like the Woodlands Community Lenders (WCL), the town of Thomas, West Virginia, has found a new identity as a hub of arts and culture after the collapse of its coal-based economy.

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Arts center in city's poorest neighborhood teaches culture and salvation

Alfred Lubrano

March 31, 2019 |

The Philadelphia Inquirer (Philadelphia Media Network) |

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800-1500 Words

Response Location: United States, Philadelphia, Pennsylvania

Art encourages resilience by helping kids in difficult neighborhoods cope with trauma. In the neighborhood of Fairhill, in Philadelphia, Taller Tuertorriqueño, a community arts center, offers art workshops and programs that emphasize the community’s connection to Puerto Rican culture. By supporting and bringing resources to the community, Taller Tuertorriqueño helps youth express themselves and manage the stress of their environment.

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Manifest Destiny Yields to Indigenous Artistry in a City-Owned Seattle Art Gallery

Gregory Scruggs

March 25, 2019 |

Next City |

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800-1500 Words

Response Location: United States, Seattle, Washington

Publicly-owned galleries can provide an open, inclusive space for both artists and the community. In Seattle, the Office of Arts and Culture renovated the disused third floor of the King Street Station, turning it into an accessible and public-facing gallery space. ARTS at King Street Station hosted its first exhibition, the Yəhaw̓ exhibit, which included 200 artists representing over 100 indigenous tribes.

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Border Wall Trumped by Art and Community

Stacey McKenna

February 28, 2019 |

Yes! Magazine |

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800-1500 Words

Response Location: Mexico, Agua Prieta, Sonora

Artistic collaboration transcends political barriers and can foster a transnational identity. On the US-Mexico border, initiatives like the Dreams Across Borders project, initiated by the Mexican Consulate, and the Border Arts Corridor express the shared identity of Agua Prieta, Mexico, and Douglas, Arizona. Public events staged on the border of the two towns include art walks and cross-border concerts staged with the cooperation of US Border Patrol.

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Art for the Aging

Celeste Hamilton Dennis

February 27, 2019 |

The Philadelphia Citizen |

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800-1500 Words

Response Location: United States, Portland, Oregon

Producing art has a positive influence on the health of senior citizens. In addition to promoting the work of artists aged sixty and above in galleries and exhibitions, the Geezer Galley in Portland, Oregon, leads art therapy sessions at senior living facilities. With studies showing a positive correlation between artistic expression and overall cognitive health, the Geezer Gallery’s partnership with state healthcare and university health research institutions provides a model for other cities to empower their seniors to produce art.

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Female Artists Challenge Vietnam's Gender Stereotypes

Sonia Sarkar

February 27, 2019 |

OZY |

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800-1500 Words

Response Location: Vietnam

Art empowers women by providing a basis for new public discourse. In Vietnam, a group of artists use their exhibitions to introduce discussions on topics such as breastfeeding, menstruation, and sexual rights. In the strictly conservative country, avoiding censorship involves holding alternate exhibitions, outside of state-funded institutions such as museums and galleries. By participating in international collaborations, privately funded events, and exhibitions in cafes, artists have been addressing questions of social taboos and fostering discourse surrounding gender norms.

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