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Black Communities Have Known about Mutual Aid All Along

Vicky Mochama

September 01, 2020 |

The Walrus |

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1500-3000 Words

Response Location: Canada, British Columbia

The black community has a rich history of crowdfunding that goes back generations to help the most vulnerable stay afloat, creating a security net for those who would otherwise fall through the cracks. Mutual aid groups are once again coming to the rescue for many black communities. Students in Canada unable to work due to visa restrictions, migrants, and those who relied on odd jobs for income are all unable to receive government aid during the pandemic. Groups like Black in BC Mutual Aid Collective attracted an influx of donations in the aftermath of George Floyd's murder, providing much-needed relief.

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How do you teach antiracist curriculum to the youngest students?

Aaricka Washington

August 27, 2020 |

The Hechinger Report |

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1500-3000 Words

Response Location: United States

Students and educators across the country are discussing how to implement anti-racism curriculum in the classroom. Although it can be challenging, educators are using a myriad of methods to teach students about racism. “We are a part of the curriculum, the way that we show up, the way that we enter spaces.”

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Truth and Redistribution

Darrick Hamilton Naomi Zewde

August 26, 2020 |

Yes! Magazine |

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1500-3000 Words

Response Location: South Africa

Racial injustice in America and the resulting wealth gap are a result of entrenched systemic inequities that can only be addressed if a collective acknowledgement of the past is made much like it was in South Africa. The South African Truth and Reconciliation Commission (TRC) identified and cataloged the trauma endured during the apartheid era in order to shed light on the physical, mental, and economic toll of South African apartheid. Publicly and collectively acknowledging the trauma allowed the nation to peacefully transition into post-apartheid. Acknowledgement is the first step to undoing inequity.

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Black Artists Find Ways to Make Their Voices Heard in Portland

Zachary Small

August 23, 2020 |

The New York Times |

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1500-3000 Words

Response Location: United States, Portland, Oregon

A burst of creativity is helping Portland confront its racist histories. From murals appearing on boarded-up buildings, protest art on exhibit at art centers, and artists gathering downtown to display their work depicting clashes between protestors and federal troops, new opportunities have been created for the city's Black artists. Community groups are also connecting artists with affordable housing resources and memorializing displaced Black communities using murals, photography, and oral histories. While a good start, more work is needed to bring about structural changes.

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'An awakening': the George Floyd protests spur surge in Black voter registration

Megan Botel Isaiah Murtaugh

August 07, 2020 |

The Guardian |

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800-1500 Words

Response Location: United States

Advocacy organizations conducted voter outreach and registered new voters at Black Lives Matters protests on a scale not seen since the civil rights era. HeadCount, a voter-registration organization, created QR codes that anyone with a printer could put on protest signs. Other attendees could scan the codes with their smartphones to immediately register to vote. The group registered 14,898 new voters in June 2020, compared with 1,204 in June 2016. Political organizing at the summer’s protest events contributed to higher turnout in local and national elections, particularly among Black and Latino voters.

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The birth of the Black is Beautiful movement

Precious Adesina

August 03, 2020 |

BBC |

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1500-3000 Words

Response Location: United States, New York, New York

The African Jazz-Art Society & Studios (AJASS) kickstarted the Black is Beautiful movement with 1960s fashion shows elevating Black models with dark skin and full bodies, who agreed to keep their hair natural year-round. As events increased and photographs spread, and famous Black women adopted their style, natural hair became more normalized. The founders recently released a song called We Will Breath to empower black people to “take back control of the narrative surrounding their lives.” The group continues to inspire Black entrepreneurs, such as Rihanna, and encourages people to support Black businesses.

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Black Lives Matter Protests Rarely End in Violence – Especially in Appalachia

Chris Jones

July 23, 2020 |

100 Days in Appalachia |

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Over 3000 Words

Response Location: United States, West Virginia

Thirty-six people protesting police violence and racism held the first civil rights march in Terra Alta. Met by counter-protesters with guns who were expecting out-of-town agitators, the groups engaged in peaceful and respectful dialogue rather than conflict. Each side expressed their viewpoints and shared the personal experiences that helped form those views. While they did not agree on many topics, they both felt that social media and mainstream media portrayals of the two groups fueled misinformation and ill will. Instead, both sides saw each other as human beings rather than stereotypes and caricatures.

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How Churches Fight the Stigma of H.I.V.

Keren Landman

November 21, 2019 |

The New York Times |

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1500-3000 Words

Response Location: United States, Atlanta, Georgia

Improving outcomes in addressing HIV requires reducing stigma. In Atlanta, Georgia, faith-based communities are embracing HIV prevention campaigns and courses. Bible Way Ministries provides HIV testing at community events and offers awareness campaigns aimed at reducing stigma. In Philadelphia, Faith in Action similarly recruits religious communities to increase HIV awareness.

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With Paper Monuments, New Orleanians Draft The City's History Themselves

Zoe Sullivan

November 19, 2019 |

Next City |

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800-1500 Words

Response Location: United States, New Orleans, Louisiana

Bringing the community into conversations about commemoration opens new ways to present public history. The Paper Monuments project in New Orleans asked residents to draw monuments that they would like to see replace the four Confederate monuments removed in the city. The project brought organizations like the New Orleans Arts Council and New Orleans Public library together with community members to re-imagine new narratives, installations, and representations of local history.

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Displaying, not Hiding, the Reality of Slave Labor in Art

Alina Tugend

October 23, 2019 |

The New York Times |

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800-1500 Words

Response Location: United States, Norfolk, Virginia

Coming to terms with the past requires reexamining the way we represent both history and art. The Chrysler Museum in Norfolk, VA, is on the forefront of correcting the absence of enslaved craftsmen in representations of art. The museum’s exhibit on the architectural work at Thomas Jefferson’s Monticello home presents a fuller story by illuminating the presence and work of enslaved laborers.

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